Ghosts 'N Goblins (NES)
|Ghosts 'N Goblins|
Ghosts 'N Goblins is an early platform action game ported from the arcade to the NES. You play Arthur, a knight who was chilling with Princess Prin Prin, in a graveyard, at night, without any clothes on. Suddenly, Satan come and whisks poor Prin Prin away, and it's up to you to save her. You'll have to fight through six stages to get her back. Each stage is filled with evil monsters who want nothing more to see you dead. At the end of every stage there is a locked door guarded by a boss which has a key that will get you to the next stage. Prin Prin can be found at the end of stage 7, but you'll have to defeat Lucifer to rescue her. You'll also have to beat the entire game twice to see the happy ending. Good luck with that.
Few games perfectly create the illusion of sheer terror like Ghosts 'N Goblins; not because the game is scary, but because the game is so unbelievably hard! The average gamer will last only a few seconds in the game before dying and most players won't even make if past the first stage. There are many reasons Ghosts 'N Goblins is so hard: you only get two hits, the enemies move very fast and are extremely difficult to dodge, your weapons are not very effective, the bosses are terribly difficult, you have to use one of the weakest weapons to beat the final bosses, you have to beat the game twice to win, etc. It is possible to become good at this game, through many many hours of practice, but the reward is not worth it due to such a dull ending.
The NES version of Ghosts 'N Goblins was developed by just a few people. Kazuo Hasegawa and Tokuro Fujiwara were the planners, Harumi Fujita and Ayako Mori worked on the game's audio, Masahiko Kurokawa and Kazuo Hasegawa worked on the game's graphics, and Kazuo Yagi from Micronics single-handedly programmed the game.
This page needs more screenshots.
The music in Ghosts 'N Goblins, ported from the arcade game, is actually pretty good for 1986. The background music changes every two stages, there are several nice fanfares, and the sound effects reflect what's happening in the game. While it won't be winning any awards, it adds a positive element to an otherwise terrible game.
The "Hurry Up" music starts with 15 seconds left on the clock, so you only hear the first 15 seconds of the track. However, the actual ROM data has more music. After three minutes of the annoying alarm, it switches to a slightly quieter alarm. Then, after three minutes of that, it goes to an even quieter alarm. The total track is over ten minutes long, and included in its entirety below. If you can listen to it all the way through consider yourself insane.
The original arcade version of the music was composed by Ayako Mori who ported her own music from the arcade to the NES. The game's sound driver sounds like it was something from Micronics, whose programmer Kazuo Yagi programmed the game. However, the game's sound designer Harumi Fujita insisted that Yoshihiro Sakaguchi programmed the game's sound driver.
|01||Game Start||Ayako Mori||Ayako Mori||0:05||Download|
|02||Title Back (Map)||Ayako Mori||Ayako Mori||0:03||Download|
|03||1st & 2nd BGM||Ayako Mori||Ayako Mori||1:14||Download|
|04||3rd & 4th BGM||Ayako Mori||Ayako Mori||1:01||Download|
|05||5th & 6th BGM||Ayako Mori||Ayako Mori||1:14||Download|
|06||5th & 6th Boss BGM||Ayako Mori||Ayako Mori||1:14||Download|
|07||Hurry Up||Ayako Mori||Ayako Mori||0:15||Download|
|08||Stage Clear (Key)||Ayako Mori||Ayako Mori||0:02||Download|
|09||Death||Ayako Mori||Ayako Mori||0:01||Download|
|10||Game Over||Ayako Mori||Ayako Mori||0:05||Download|
|11||7th BGM||Ayako Mori||Ayako Mori||0:48||Download|
|12||1st Lap End||Ayako Mori||Ayako Mori||0:03||Download|
|13||Ending||Ayako Mori||Ayako Mori||0:22||Download|
|14||Hurry Up (Full)||Ayako Mori||Ayako Mori||10:25||Download|
- Ripper: TNSe^1999
- Recorder: TheAlmightyGuru
- Game Credits:
The game has credits, but to get them, not only must you beat the game twice, you also have to enter a cheat code at the last screen; A, B, Up, Down, A, B, Left, Right. Then, instead of the Game Over screen appearing, you'll get a credits screen showing the microscopic development team.
We have received verification from Harumi Fujita that she is Hal and Ayako Mori is Wood. Hal is the English translation of Haru (ハル), which is a part of Harumi's first name. Mori (森) is Japanese for forest, or "woods". Harumi says that Capcom made the staff use aliases. Fujita said she did not work on the music, but rather the sound effects and that it used Yoshihiro Sakaguchi's sound driver.
The game uses the hardware decay instruments built into the NES's Audio Processing Unit (APU).
Ripping NES music is a very arduous process that is beyond the scope of this site.